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''Eyes Without a Face'' ((フランス語:Les yeux sans visage)) is a 1960 French-Italian horror film adaptation of Jean Redon's novel, directed by Georges Franju, and starring Pierre Brasseur and Alida Valli.〔〔Munden 1971, p. 488.〕 During the film's production, consideration was given to the standards of European censors by setting the right tone, minimizing gore and eliminating the mad-scientist character. Although the film passed through the European censors, the film's release in Europe caused controversy nevertheless. Critical reaction ranged from praise to disgust. The film received an American debut in an edited and dubbed form in 1962 under the title of ''The Horror Chamber of Dr. Faustus''. In the United States, ''Faustus'' was released as a double feature with ''The Manster'' (1959). The film's initial critical reception was not overtly positive, but subsequent theatrical and home video re-releases increased its reputation.〔Schneider 2005, p. 365.〕 Modern critics praise the film today for its poetic nature as well as being a notable influence on other filmmakers. ==Plot== At night just outside Paris, a woman drives along a riverbank and dumps a corpse in the river. After the body is recovered, Dr. Génessier identifies the remains as those of his missing daughter, Christiane Génessier, whose face was horribly disfigured in an automobile accident that occurred before her disappearance, which her father was responsible for. Dr. Génessier lives in a large mansion, which is adjacent to his clinic, with numerous caged German Shepherds and other large dogs. Following Christiane's funeral, Dr. Génessier and his assistant Louise, the woman who had disposed of the dead body earlier, return home where the real Christiane is hidden (it is explained that Louise is deathlessly loyal to Génessier because he repaired her own badly damaged face, leaving only a barely noticeable scar she covers with a pearl choker). The body belonged to a young woman who died following Dr. Génessier's unsuccessful attempt to graft her face onto his daughter's. Dr. Génessier promises to restore Christiane's face and insists that she wear a mask to cover her disfigurement. After her father leaves the room, Christiane calls her fiancé Jacques Vernon, who works with Dr. Génessier at his clinic, but hangs up without saying a word. Louise lures a young Swiss girl named Edna Grüber to Génessier's home. Génessier chloroforms Edna and takes her to his secret laboratory. Christiane secretly watches her father and Louise carry Edna to the lab, and then goes to tenderly caress the dogs her father keeps caged, who eagerly accept her love, and are unaffected by her appearance. Dr. Génessier performs heterograft surgery, removing Edna's face. The doctor successfully grafts the skin onto his daughter's face and holds the heavily bandaged and faceless Edna against her will. Edna escapes, but jumps to her death from an upstairs window. After disposing of Edna's corpse, Génessier notices flaws on Christiane's face. Her face grows worse within days; the new tissue is being rejected and she must resort to wearing her mask again. Christiane again phones Jacques and this time says his name, but the phone call is interrupted by Louise. Jacques reports the call to the police, who have been investigating the disappearance of several young women with blue eyes and similar facial characteristics. The police have gained a lead concerning a woman who wears a pearl choker, whom Jacques recognizes as Louise. Inspector Parot, an officer investigating Edna's disappearance, coerces a young woman named Paulette Mérodon (recently arrested for shoplifting) to help investigate by checking herself into Génessier's clinic. After being declared healthy, Paulette leaves for Paris and is promptly picked up by Louise, who delivers her to Dr. Génessier. Génessier is about to begin surgery on Paulette when Louise informs him that the police want to see him. While the doctor talks with the police, Christiane, who has long been disenchanted with her father's experiments, and has been slowly losing her sanity from guilt and isolation, frees Paulette and stabs Louise in the neck. She also frees the dogs and doves that her father uses for experiments. Dr. Génessier dismisses the police (who readily accept his explanations) and returns to his lab, where an abandoned German Shepherd he'd only recently obtained for his experiments attacks him, inciting the other dogs to follow suit—maddened by pain and confinement, they maul him to death, disfiguring his face in the process. Christiane, unmoved by her father's death, and seemingly transformed into something more than human, walks slowly into the woods outside Génessier's house with one of the freed doves on her hand. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Eyes Without a Face」の詳細全文を読む スポンサード リンク
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